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  • 'This article reviews recent work applying a notion of 'performance' in the study and representation of lives. It tries to clarify some of the issues involved - including the meaning of 'performance' - and 'performative' - the range of possible approaches (e.g., in addition to drama-other arts) and the relationship between 'subjects', 'researcher' and 'audience'. An immediate concern is the nature of the researcher - as having the necessary skills and abilities or knowledge involved in 'performance' (in researching, writing, recording and representing), as engaged (to some extent) in 'artistic' endeavour, and moving between a number of 'roles' and social relations in 'performing' with/ to others (the 'researched' group, audience and society). An important issue for social science in crossing or bridging the social science-arts, in taking up 'performative approaches', is 'What remains distinctive about the social science if it becomes involved with performance approaches?' As a source for comparison (and inspiration), some brief reference will be made to the work of Kandinsky - who moved across disciplinary boundaries and artistic practices - as ethnographer, painter, teacher, designer, theorist and poet. Finally, perhaps, there is a deeper 'turn' indicated by the 'turn to performance' in the study of lives, a more 'complete' portrait of the individual as an active, communicative and sensual being.' (author's abstract) (xsd:string)
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  • 2009 (xsd:gyear)
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  • 2009 (xsd:gyear)
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  • 10.12759/hsr.34.2009.1.307-353 ()
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  • en (xsd:string)
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  • 0172-6404 ()
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  • 1 (xsd:string)
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  • Performative social science: a consideration of skills, purpose and context (xsd:string)
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  • Zeitschriftenartikel (xsd:string)
  • journal_article (en)
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  • GESIS-SSOAR (xsd:string)
  • In: Historical Social Research, 34, 2009, 1, 307-353 (xsd:string)
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?:urn
  • urn:nbn:de:0168-ssoar-286480 ()
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  • 34 (xsd:string)