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  • Heinz-Dietrich Fischer, Handbuch der politischen Presse in Deutschland 1480-1980 (Düsseldorf 1981) 237, 464. The circu- Müller, Frühe deutsche Kinematographie, 31 April, 44. Müller disposes of the myth that says that the changing tast and expectations on the part of the audience should be seen as the central motor of early German cinema and film history. Ac- cording to Müller, the increase in number and seize of cinemas is in the first place the result of aggressive competition. The number of seats exceeded demand in such numbers that managers sought other ways of luring spectators into their cin- emas: bigger and cleaner venues, richer decoration, lower admission fees and quick changes in the selections of films on offer. For this initial period, also see: Gary D. Stark, 'Cinema, society and the state: policing the film industry in impe- rial Germany', in G. Stark & B.K. Lackner (ed.), Essays on Culture and society in mod- ern Germany (Arlington/Texas 1982). (xsd:string)
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  • Fischer, H. D. (n.d.). Handbuch der politischen Presse in Deutschland 1480-1980 (Düsseldorf 1981) 237, 464. The circu- Müller, Frühe deutsche Kinematographie, 31 April, 44. Müller disposes of the myth that says that the changing tast and expectations on the part of the audience should be seen as the central motor of early German cinema and film history. Ac- cording to Müller, the increase in number and seize of cinemas is in the first place the result of aggressive competition. The number of seats exceeded demand in such numbers that managers sought other ways of luring spectators into their cin- emas: bigger and cleaner venues, richer decoration, lower admission fees and quick changes in the selections of films on offer. (xsd:string)
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