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  • This paper develops the concept of access to arts consumption as a necessary link connecting cultural taste and actual consumption. I present a theoretical model that deconstructs access to arts consumption into four dimensions of access: rights, opportunity, participation, and reception. I operationalize and test the model in the context of access to physical cultural consumption using Eurobarometer data on barriers to such access from a sample of respondents from 27 European countries. Utilizing regression analyses, I examine how different types of access are socially distributed. The results reveal the individual and country-level variables that shape physical access to art. The findings highlight the importance of using a multi-dimensional concept of access in the study of arts consumption. They also have implications for planning arts policies designed to increase access to art, both physical and online, especially post-COVID-19. (xsd:string)
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  • 2023 (xsd:gyear)
?:datePublished
  • 2023 (xsd:gyear)
?:doi
  • 10.1177/14695405221133269 ()
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  • en (xsd:string)
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  • 1469-5405 ()
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  • 3 (xsd:string)
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  • Access to arts consumption: The stratification of aesthetic life-chances (xsd:string)
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  • Zeitschriftenartikel (xsd:string)
  • journal_article (en)
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  • GESIS-SSOAR (xsd:string)
  • In: Journal of Consumer Culture, 23, 2023, 3, 497-744 (xsd:string)
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?:urn
  • urn:nbn:de:0168-ssoar-91942-5 ()
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  • 23 (xsd:string)