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  • Among the many (hi-)stories referenced in the streaming series Pose is an infamous public protest by the AIDS Coalition to Unleash Power (ACT UP) where they inflated a large condom-shaped balloon over a US-senator's house in 1991 to advocate against the stigmatization of people with HIV/AIDS. The bodies in action in Pose's iteration in contrast to the 'original' are mostly not white. In light of a historicization of trans*- and queerness with its compulsory colonial and racist structuring, this text proposes commoning as a frame to interpret Pose. After elaborating on House-Ballroom Culture's (the scene Pose is set in) 'disidentificatory' (Muñoz) practices as commoning and ACT UP's video activism as commons especially in relation to different/other temporalities, the text offers a close-reading of the episode featuring the protest. The text suggests this kind of commoning as forms of trans* politics that intervene into binary and linear notions of time, community and subjectivity. (xsd:string)
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?:dateModified
  • 2023 (xsd:gyear)
?:datePublished
  • 2023 (xsd:gyear)
?:doi
  • 10.3224/feminapolitica.v32i2.07 ()
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  • en (xsd:string)
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  • 2196-1646 ()
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  • 2 (xsd:string)
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  • "What Should Have Been, But Sadly Wasn't": Commoning HIV/AIDS History in "Pose" (xsd:string)
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  • Zeitschriftenartikel (xsd:string)
  • journal_article (en)
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  • GESIS-SSOAR (xsd:string)
  • In: Femina Politica - Zeitschrift für feministische Politikwissenschaft, 32, 2023, 2, 79-90 (xsd:string)
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?:urn
  • urn:nbn:de:0168-ssoar-91062-3 ()
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  • 32 (xsd:string)