PropertyValue
?:about
?:abstract
  • The concept of "worldmaking" is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material. The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal "world of dance", but rather a multitude of interrelated dance worlds with more emerging every day. (xsd:string)
?:contributor
?:dateModified
  • 2011 (xsd:gyear)
?:datePublished
  • 2011 (xsd:gyear)
?:doi
  • 10.14361/transcript.9783839415962 ()
?:duplicate
?:editor
?:hasFulltext
  • true (xsd:boolean)
is ?:hasPart of
?:inLanguage
  • en (xsd:string)
?:isbn
  • 978-3-8394-1596-2 ()
?:linksDOI
?:linksURN
?:location
is ?:mainEntity of
?:name
  • Emerging Bodies: The Performance of Worldmaking in Dance and Choreography (xsd:string)
?:provider
?:publicationType
  • Sammelwerk (xsd:string)
?:publisher
?:sourceInfo
  • GESIS-SSOAR (xsd:string)
rdf:type
?:url
?:urn
  • urn:nbn:de:0168-ssoar-87726-0 ()
?:volumeNumber
  • 21 (xsd:string)