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?:abstract
  • Urbanisation and rural-urban labour mobility are two founding traits of China's contemporary society and socio-economic model. The connection between the two and the peculiar social mobility control system still in force, which bars non-urban residents from accessing basic services in the city, creates a new form of social stratification between the "centre" and the "periphery" of urban society, as well as a new subject in the city - one not fully urban, nor still peasant, but remaining an outsider in the city. Migrant-worker communities have formed, one of the foremost being Beijing's Picun urban village. In this paper, I analyse a corpus of poems published online in recent years by members of a literature group of migrant workers based in Picun. Reading them as a case of subjective representation of the social space of the city and the authors’ positioning in its web of social relations, and adopting a socio-literary approach, I particularly focus on the relation with the rural home, urban alienation and anomie, and the effort for symbolic recognition, locating this production in the larger spheres of contemporary migrant-worker literature and urban literature. By doing so, I demonstrate that such a literature challenges the coherence and uniformity of the city's "text" (and identity), offering a multi-layer perspective of the socio-cultural production of urban space. (xsd:string)
?:contributor
?:dateModified
  • 2020 (xsd:gyear)
?:datePublished
  • 2020 (xsd:gyear)
?:doi
  • 10.11588/iqas.2020.1-2.10749 ()
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  • en (xsd:string)
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?:issn
  • 2566-6878 ()
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  • 1-2 (xsd:string)
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  • Strangers in a Familiar City: Picun Migrant-worker Poets in the Urban Space of Beijing (xsd:string)
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  • Zeitschriftenartikel (xsd:string)
  • journal_article (en)
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  • GESIS-SSOAR (xsd:string)
  • In: International Quarterly for Asian Studies (IQAS), 51, 2020, 1-2, 147-170 (xsd:string)
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?:volumeNumber
  • 51 (xsd:string)