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  • The chapter aims to analyse private and unpublished photos covering the execution of Hungarian war criminals to prove that the interpretation of photography helped create alternative space with respect to the dominant anti-fascist interpretation. (xsd:string)
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?:dateModified
  • 2009 (xsd:gyear)
?:datePublished
  • 2009 (xsd:gyear)
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?:editor
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  • true (xsd:boolean)
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?:inLanguage
  • en (xsd:string)
?:isbn
  • 978-88-8492-651-7 ()
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?:name
  • Death and the Picture: Representation of War Criminals and Construction of Divided Memory about World War II in Hungary (xsd:string)
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?:publicationType
  • Sammelwerksbeitrag (xsd:string)
  • in_proceedings (en)
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?:sourceCollection
  • Faces of death: visualising history (xsd:string)
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  • GESIS-SSOAR (xsd:string)
  • In: Faces of death: visualising history, Edizioni Plus - Pisa University Press, Pisa, 2009, 39-56 (xsd:string)
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?:urn
  • urn:nbn:de:0168-ssoar-71890-4 ()
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  • 4 (xsd:string)