PropertyValue
?:abstract
  • The present article has the objective of deepening the debate about the notion of musical experience, explaining the epistemological aspects of a philosophical interpretation that we call symbolic-transcendental. It is the theoretical project initiated by Ernst Cassirer, and taken up by Susanne Langer, who argues that the manifestations of Culture are particular symbolic forms, namely: knowledge, language, myth, religion and art, from which it is possible to the human spirit to mean the real in an objective way. The capacity to symbolize, in turn, is constituted as a result of an operative function, transcendental and valid a priori, which is the foundational aspect that marks the difference between men and animals, for example. In order for the musical experience to be understood in terms of the symbolic-transcendental interpretation that we will construct here, we will undertake an argumentative course whose three central moments are: i) the understanding of art as a particular symbolic form, ii) the distinction between art and language as symbolic forms and as a necessary condition for the theory of art of Susanne Langer and iii) the constitutive aspects of musical experience (signification, production and reception). (xsd:string)
?:contributor
?:dateModified
  • 2019 (xsd:gyear)
?:datePublished
  • 2019 (xsd:gyear)
?:doi
  • 10.31977/grirfi.v19i3.1224 ()
?:duplicate
?:hasFulltext
  • true (xsd:boolean)
is ?:hasPart of
?:inLanguage
  • pt (xsd:string)
?:isPartOf
?:issn
  • 2178-1036 ()
?:issueNumber
  • 3 (xsd:string)
?:linksDOI
is ?:mainEntity of
?:name
  • A experiência musical e a interpretação simbólico-transcendental a partir de Ernst Cassirer e Susanne Langer (xsd:string)
?:provider
?:publicationType
  • Zeitschriftenartikel (xsd:string)
  • journal_article (en)
?:sourceInfo
  • GESIS-SSOAR (xsd:string)
  • In: Griot: Revista de Filosofia, 19, 2019, 3, 230-246 (xsd:string)
rdf:type
?:url
?:volumeNumber
  • 19 (xsd:string)