PropertyValue
?:about
?:abstract
  • This study tries to expand the richness of Bakhtin's theory of novel by showing the reader that its thorough features could be traced back in a play rather than a novel, considering it more than what is usually the basis of "historical poetics" mainly in the form of a novel accentuating the constitution of a social ideology besides an individual one while gesturing dialogically in the interaction between representation in its textual form and particularities of its proper probable forces in their socio-historical stratifications within notions such as dialogism, intertextuality, heteroglossia and polyphony. To do so a successful Irish play of exuberance is invited to be served by a thinker from the past Soviet. Since the references are written in an artistic language, a language near to a poetic one tries to tinker rationality to irrationality. In the light of O’Halloran's eccentric nostalgia which tries to handle a play all in all monologically from the voice of just a single character, one may seem to be listening to the symphony of Bakhtin's polyphonic heteroglossia stratified within the architectonics of both authors' interillumination. (xsd:string)
?:contributor
?:dateModified
  • 2015 (xsd:gyear)
?:datePublished
  • 2015 (xsd:gyear)
?:doi
  • www.scipress.com/ILSHS.52.55 ()
?:duplicate
?:hasFulltext
  • true (xsd:boolean)
is ?:hasPart of
?:inLanguage
  • en (xsd:string)
?:isPartOf
?:issn
  • 2300-2697 ()
?:issueNumber
  • 52 (xsd:string)
?:linksDOI
is ?:mainEntity of
?:name
  • Heteroglossia: Bakhtinian dialogism within a play's monologue (xsd:string)
?:provider
?:publicationType
  • Zeitschriftenartikel (xsd:string)
  • journal_article (en)
?:sourceInfo
  • GESIS-SSOAR (xsd:string)
  • In: International Letters of Social and Humanistic Sciences, 2015, 52, 55-60 (xsd:string)
rdf:type
?:url