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  • This first critical overview of the European film avant-garde ushers in a new approach and creates its own subject. Arguing that a European perspective is the only way to understand the film avant-garde of the 1920s and 1930s, Hagener provides a much-needed summary of the theory and practice of the movement. This incisive study also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of screening clubs, film festivals, and archives. (xsd:string)
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  • 2007 (xsd:gyear)
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  • 2007 (xsd:gyear)
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  • en (xsd:string)
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  • 978-90-5356-961-0 ()
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  • Moving forward, looking back: the European avant-garde and the invention of film culture, 1919-1939 (xsd:string)
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  • Monographie (xsd:string)
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  • GESIS-SSOAR (xsd:string)
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  • urn:nbn:de:0168-ssoar-273481 ()