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  • The early 20th century has witnessed major transformations in both scientific and musical domains. In particular, relativity has shown space and time to have physical reality (in contrast to a priori conditions of objects), and the hierarchical structure of tonality was abandoned in favor of progressively more systematic methods of composition evolving from twelve-tone music. By singling out the migration of the scientific understanding of space and time to musical terrain, as legitimization and metaphor for some theoretical proposals of integral serialism, a parallel is drawn between the two fields which shows the entwinement of scientific output and artistic theory and practice in post-war avant-garde. (xsd:string)
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  • 2010 (xsd:gyear)
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  • 2010 (xsd:gyear)
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  • pt (xsd:string)
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  • 1 (xsd:string)
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  • Do espaço e tempo musical – teoria científica e prática artística na vanguarda do pós-guerra (xsd:string)
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  • Zeitschriftenartikel (xsd:string)
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  • GESIS-SSOAR (xsd:string)
  • In: European Review of Artistic Studies, 1, 2010, 1, 1-10 (xsd:string)
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  • urn:nbn:de:0168-ssoar-256949 ()
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  • 1 (xsd:string)