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  • This paper considers a number of artworks by contemporary French artist Sophie Calle. The focus is on a number of these that have a ‘public’ aspect. Through Calle’s work, idioms of following, documenting, seduction and love are discussed, and artistic and representational dichotomies: documentation and action are critiqued. The essay contextualizes Calle’s art through its dynamic relationships with conceptual art generally and particularly work that involves following as a performance strategy. The possibility of love’s fabrication as a dramatic means of critical art practice and analytical writing are foregrounded through encounters with Jean Baudrillard’s writings on seduction and on Calle. (xsd:string)
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  • 2005 (xsd:gyear)
?:datePublished
  • 2005 (xsd:gyear)
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  • 10.1191/1474474005eu344oa ()
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  • true (xsd:boolean)
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  • en (xsd:string)
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  • 4 (xsd:string)
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  • Sophie Calle’s art of following and seduction (xsd:string)
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  • Zeitschriftenartikel (xsd:string)
  • journal_article (en)
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  • GESIS-SSOAR (xsd:string)
  • In: Cultural Geographies, 12, 2005, 4, 463-484 (xsd:string)
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  • urn:nbn:de:0168-ssoar-232545 ()
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  • 12 (xsd:string)