gesis-ssoar-23020

Property	Value
?:abstract	World music has been immersed in a series of complex ethical, political and aesthetic debates since its emergence as a new musical category in the 1980s. These debates have been fuelled by competing perspectives that portray world music as either an exemplar of progressive cosmopolitan politics that foster cultural hybridity or as reinforcing fixed and unitary conceptions of difference through an essentializing representation of cultures. (xsd:string)
?:contributor	<https://data.gesis.org/gesiskg/resource/gesis-ssoar-23020_Haynes_Jo>
?:dateModified	2005 (xsd:gyear)
?:datePublished	2005 (xsd:gyear)
?:doi	10.1177/1468796805054961 ()
?:duplicate	<https://data.gesis.org/gesiskg/resource/duplicate_gesis-ssoar-23020_csa-sa-200604324> <https://data.gesis.org/gesiskg/resource/duplicate_gesis-ssoar-23020_gesis-ssoar-23020>
?:hasFulltext	true (xsd:boolean)
is ?:hasPart of	<https://data.gesis.org/gesiskg/resource/>
?:inLanguage	en (xsd:string)
?:isPartOf	<https://data.gesis.org/gesiskg/resource/Ethnicities>
?:issueNumber	3 (xsd:string)
?:linksDOI	<https://doi.org/10.1177/1468796805054961>
?:linksURN	<http://nbn-resolving.de/urn%3Anbn%3Ade%3A0168-ssoar-230200>
is ?:mainEntity of	<https://data.gesis.org/gesiskg/resource/duplicate_gesis-ssoar-23020_gesis-ssoar-23020>
?:name	World music and the search for difference (xsd:string)
?:provider	<http://www.peerproject.eu/> <https://data.gesis.org/gesiskg/resource/SSOAR_-_Social_Science_Open_Access_Repository>
?:publicationType	Zeitschriftenartikel (xsd:string) journal_article (en)
?:sourceInfo	GESIS-SSOAR (xsd:string) In: Ethnicities, 5, 2005, 3, 365-385 (xsd:string)
rdf:type	<https://schema.org/ScholarlyArticle>
?:url	<http://www.ssoar.info/ssoar/handle/document/23020>
?:urn	urn:nbn:de:0168-ssoar-230200 ()
?:volumeNumber	5 (xsd:string)