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  • This article explores the contemporary conditions of national self-presentation, inviting students of national identity to reconsider the nature of national self-narration through new conceptual tools. It is argued that contemporary nations have two `voices': one is addressed to their members, another speaks to the nation's external interlocutors. Both voices contribute to the performance of identity: for nations which are the product of colonial and `crypto-colonial' encounters, narration is characterized by a negotiation of the boundaries between private and public voices and slippage in utterance. The article introduces a new concept in the study of culture, `diforia', which accounts for both this split meaning of utterance and national performativity in public. The concept is mobilized to examine and deconstruct a recent case of Greek diforia enacted in the context of the opening and closing ceremonies of Athens 2004. (xsd:string)
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?:dateModified
  • 2008 (xsd:gyear)
?:datePublished
  • 2008 (xsd:gyear)
?:doi
  • 10.1177/1367549408094984 ()
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  • true (xsd:boolean)
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  • en (xsd:string)
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  • 4 (xsd:string)
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  • The nation has two `voices' (xsd:string)
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  • Zeitschriftenartikel (xsd:string)
  • journal_article (en)
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  • GESIS-SSOAR (xsd:string)
  • In: European Journal of Cultural Studies, 11, 2008, 4, 489-508 (xsd:string)
rdf:type
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?:urn
  • urn:nbn:de:0168-ssoar-227649 ()
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  • 11 (xsd:string)