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  • This article examines a cycle of British drama-documentaries about the Second World War broadcast in 2004-5: Dunkirk, D-Day, When Hitler Invaded Britain D-Day to Berlin and Blitz: London's Firestorm. It places these films in the context of the drama-documentary tradition in British film and television; it considers the institutional and cultural contexts of their production; it analyses their formal properties, especially their combination of actuality film with dramatic reconstruction; and it examines the extent to which they offer a revisionist perspective on the British historical experience of the Second World War. The article argues that these films represent a significant new direction for representing history on television. (xsd:string)
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  • 2007 (xsd:gyear)
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  • 2007 (xsd:gyear)
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  • 10.1177/1367549407072968 ()
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  • en (xsd:string)
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  • 1 (xsd:string)
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  • Re-presenting war (xsd:string)
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  • Zeitschriftenartikel (xsd:string)
  • journal_article (en)
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  • GESIS-SSOAR (xsd:string)
  • In: European Journal of Cultural Studies, 10, 2007, 1, 13-33 (xsd:string)
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  • urn:nbn:de:0168-ssoar-227087 ()
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  • 10 (xsd:string)