gesis-bib-25468

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?:author	<https://data.gesis.org/gesiskg/resource/gesis-bib-25468_Knulst_Wim>
?:contributor	<https://data.gesis.org/gesiskg/resource/gesis-bib-25468_Knulst_Wim>
?:duplicate	<https://data.gesis.org/gesiskg/resource/duplicate_gesis-bib-25468_csa-assia-9251387> <https://data.gesis.org/gesiskg/resource/duplicate_gesis-bib-25468_csa-sa-93Z5406> <https://data.gesis.org/gesiskg/resource/duplicate_gesis-bib-25468_gesis-bib-25468>
?:hasFulltext	false (xsd:boolean)
is ?:hasPart of	<https://data.gesis.org/gesiskg/resource/>
?:inLanguage	Englisch (EN) (xsd:string)
?:isPartOf	<https://data.gesis.org/gesiskg/resource/The_Netherlands%27_Journal_of_Social_Sciences>
?:libraryLocation	<https://data.gesis.org/gesiskg/resource/K%C3%B6ln_Zeitschriftenaufsatz>
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?:name	An elitist rearguard: An effort to explain changes in the extent and composition of the arts audience in the age of television (xsd:string)
?:provider	GESIS - Bibliothek () <https://data.gesis.org/gesiskg/resource/GESIS>
?:publicationType	Monographie (xsd:string) Zeitschriftenaufsatz (de) journal_article (en)
?:sourceInfo	GESIS-BIB (xsd:string) In: The Netherlands' Journal of Social Sciences, Vol. 28, 1992, Nr. 1, S. 72-94. (xsd:string)
rdf:type	<https://schema.org/ScholarlyArticle>