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  • INTRODUCTION: Jörn Eiben; Olaf Stieglitz: Depicting Sporting Bodies - Visual Sources in the Writing of Sport History: An Introduction (7-24); CONTRIBUTIONS: Mike O'Mahony: Through a Glass Darkly: Reflections on Photography and the Visual Representation of Sport (25-38); Jens Jäger: A Fist on the Cover. Some Remarks on Visual Sources in Sports History. (39-52); Markus Stauff: The Assertive Image: Referentiality and Reflexivity in Sports Photography (53-71); Michael Krüger: Visual sources in the History of Sports: Potential, Problems, and Perspectives with Selected Examples of Sporting Art (72-92); Bernhard Hachleitner; Sema Colpan: The Wunderteam, Painted in Oil: Insights of Images / Insights through Images in Sport Studies (93-108); Kasia Boddy: American Girl: The Iconographies of Helen Wills (109-128); Matthias Marschik: Depicting Hakoah. Images of a Zionist Sports Club in Interwar Vienna (129-147); Melanie Woitas: "Exercise Teaches You the Pleasure of Discipline" - The Female Body in Jane Fonda´s Aerobics Videos (148-164); Barbara Englert: The Hollywood Sports Film - Visualizing Hidden and Familiar Aspects of American Culture (165-180); Eva Maria Gajek: More than Munich 1972. Media, Emotions, and the Body in TV Broadcast of the 20th Summer Olympics (181-202); Markus Stauff: The Pregnant-Moment Photograph: The 1908 London Marathon and the Cross-Media Evaluation of Sport Performances (203-219); Amanda Shuman: No Longer 'Sick': Visualizing 'Victorious' Athletes in 1950s Chinese Films (220-250); MIXED ISSUE: Eric Linhart; Johannes Raabe: Measuring Party System Concentration Including the Cabinet Level (253-276); Kevin T. Hall: Luftgangster over Germany: The Lynching of American Airmen in the Shadow of the Air War (277-312); Jens O. Zinn: The Proliferation of 'at risk' in The Times: A Corpus Approach to Historical Social Change, 1785-2009 (313-364). (xsd:string)
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  • 2018 (xsd:gyear)
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  • 2018 (xsd:gyear)
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  • Visualities - sports, bodies, and visual sources (xsd:string)
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  • book (en)
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  • GESIS-BIB (xsd:string)
  • Köln: GESIS, 2018.- 364 S. (xsd:string)
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